INTRODUCTION TO THE COURSE
1.1 Understand The Printmaking

1.2 A Brief History of Intaglio

1.3 The Great Master Artist: Local & International

Task- Artwork Analysis using Edmund B. Feldman Theory



RESEARCH & THEORY
2.1 Theory of Light and Form: Understanding of Element & Principle of Art

2.2 Type of Line Drawing

2.3 Drawing in Intaglio Printmaking

RESEARCH & THEORY
3.1 Introduction to Drypoint Technique

3.2 Subject Matter Study: Single Subject

3.3 Plate Preparation for Drypoint


PROJECT I : Still Life
4.1 Visual Research: Create a Still Life Setting

4.2 Introduction to Etching Technique

4.3 Tools and Matrix Preparation




PROCESS MAKING & ARTWORK EXECUTION
5.1 The Making of The Ground for Etching

5.2 Step by step on Hard & Soft Ground Etching

5.3 What is Aquatint ?


PROJECT II : Landscape
6.1 Development of Idea: Landscape Drawing

6.2 What Makes a Good Work: Understanding the Composition in Landscape

6.3 Artwork Execution: Searching the Landscape & Drawing



PORTFOLIO & PROJECT REPORT
7.1 Project Checklist

7.2 Project Report

7.3 Print Terminology

Q1 : How to Print Intaglio without Etching Press?
A1 : Use alternative equipment such as Hard Wooden Roller